Stanford Root

Schedule

Stanford Root

Schedule

TAPS 138M

Magical Realism

UNITS:3
GRADING:Letter or Credit/No Credit
LEVEL:Undergrad
GER:—

This course explores the mode of magical realism across literature, theater, and film through the lens of performance. How does magical realism blur the boundaries between the ordinary and the extraordinary, between the real and the fantastic? How do theater artists leverage the unique possibilities (and limitations) of live performance to stage seemingly impossible events? Beginning with the genre's multiple origins and its development in Latin American literature (Borges, Garcia Marquez, Cortazar), we will trace magical realism's journey from the page to the stage in contemporary theater (Jose Rivera, Tony Kushner, Sarah Ruhl). Along the way, we will investigate magical realism as an artistic tradition, a form of social critique, and a dynamic approach to theater making. Through seminar discussions and in-class performance assignments, students will experiment with staging moments of magical realism as directors, designers, and performers while developing skills in critical analysis and creative collaboration. No prior performing experience is necessary.

Syllabus for selected term:
View Spring 2027 Syllabus

Sections

1 Term
Workshop 1Open
ID: 27894
0 / 15 enrolled
DAYS:Tuesday, Thursday
TIME:10:30 AM – 12:20 PM
LOCATION:Roble Gymnasium 137
INSTRUCTOR:
Lifson, Connor
3units

TAPS 138M: Magical Realism

3 units · Letter or Credit/No Credit

This course explores the mode of magical realism across literature, theater, and film through the lens of performance. How does magical realism blur the boundaries between the ordinary and the extraordinary, between the real and the fantastic? How do theater artists leverage the unique possibilities (and limitations) of live performance to stage seemingly impossible events? Beginning with the genre's multiple origins and its development in Latin American literature (Borges, Garcia Marquez, Cortazar), we will trace magical realism's journey from the page to the stage in contemporary theater (Jose Rivera, Tony Kushner, Sarah Ruhl). Along the way, we will investigate magical realism as an artistic tradition, a form of social critique, and a dynamic approach to theater making. Through seminar discussions and in-class performance assignments, students will experiment with staging moments of magical realism as directors, designers, and performers while developing skills in critical analysis and creative collaboration. No prior performing experience is necessary.

Offered in Spring 2027 at Stanford University.

Spring 2027 sections

  • Workshop — Tuesday Thursday 10:30 AM – 12:20 PM — Roble Gymnasium 137 — Lifson, Connor (Undergrad)

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