Stanford Root

Schedule

Stanford Root

Schedule

ITALIAN 349

Love at First Sight: Visual Desire, Attraction, and the Pleasures of Art (ARTHIST 119, ARTHIST 319, FRENCH 149, FRENCH 349, ITALIAN 149)

UNITS:3-5
GRADING:Letter (ABCD/NP)
LEVEL:Graduate
GER:—

Why do dating sites rely on photographs? Why do we believe that love is above all a visual force? How is pleasure, even erotic pleasure, achieved through looking? While the psychology of impressions offers some answers, this course uncovers the ways poets, songwriters, and especially artists have explored myths and promoted ideas about the coupling of love and seeing. Week by week, we will be reflecting on love as political critique, social disruption, and magical force. And we will do so by examining some of the most iconic works of art, from Dante's writings on lovesickness to Caravaggio's Narcissus, studying the ways that objects have shifted from keepsakes to targets of our cares. While exploring the visual roots and evolutions of what has become one of life's fundamental drives, this course offers a passionate survey of European art from Giotto's kiss to Fragonard's swing that elicits stimulating questions about the sensorial nature of desire and the human struggle to control emotions.

Syllabus for selected term:
View Spring 2027 Syllabus

Sections

1 Term
Lecture 1Open
ID: 28538
0 / 100 enrolled
DAYS:TBD
TIME:TBD
LOCATION:TBD
units

ITALIAN 349: Love at First Sight: Visual Desire, Attraction, and the Pleasures of Art (ARTHIST 119, ARTHIST 319, FRENCH 149, FRENCH 349, ITALIAN 149)

3-5 units · Letter (ABCD/NP)

Why do dating sites rely on photographs? Why do we believe that love is above all a visual force? How is pleasure, even erotic pleasure, achieved through looking? While the psychology of impressions offers some answers, this course uncovers the ways poets, songwriters, and especially artists have explored myths and promoted ideas about the coupling of love and seeing. Week by week, we will be reflecting on love as political critique, social disruption, and magical force. And we will do so by examining some of the most iconic works of art, from Dante's writings on lovesickness to Caravaggio's Narcissus, studying the ways that objects have shifted from keepsakes to targets of our cares. While exploring the visual roots and evolutions of what has become one of life's fundamental drives, this course offers a passionate survey of European art from Giotto's kiss to Fragonard's swing that elicits stimulating questions about the sensorial nature of desire and the human struggle to control emotions.

Offered in Spring 2027 at Stanford University.

Spring 2027 sections

  • Lecture — TBA TBA (Graduate)

More ITALIAN courses

  • ITALIAN 251: Writing, Memory, and the Self (FRENCH 251, FRENCH 351, ITALIAN 351)
  • ITALIAN 265: Word and Image (ARTHIST 265A, ARTHIST 465A, COMPLIT 225, ITALIAN 365)
  • ITALIAN 305: Songs of Love and War: Gender, Crusade, Politics (FEMGEN 205, FRENCH 205, FRENCH 305, ITALIAN 205)
  • ITALIAN 317: Love, Death and the Afterlife in the Medieval West (FRENCH 217, FRENCH 317, HISTORY 217D, HISTORY 317D, ITALIAN 217)
  • ITALIAN 328: Literature, Narrative, and the Self (COMPLIT 328, ENGLISH 328, FRENCH 328)
  • ITALIAN 337: Michelangelo: Gateway to Early Modern Italy (ARTHIST 218A, ARTHIST 418A, HISTORY 237B, HISTORY 337B, ITALIAN 237)
  • ITALIAN 351: Writing, Memory, and the Self (FRENCH 251, FRENCH 351, ITALIAN 251)
  • ITALIAN 365: Word and Image (ARTHIST 265A, ARTHIST 465A, COMPLIT 225, ITALIAN 265)
  • ITALIAN 369: Introduction to the Profession of Literary Studies (COMPLIT 369, DLCL 369, FRENCH 369, GERMAN 369, ILAC 369G, SLAVIC 369G)
  • ITALIAN 375: Navigating Chaos: Literature, Prime Matter, and the Ocean (COMPLIT 375)
  • ITALIAN 393: Dante's Worlds
  • ITALIAN 399: Individual Work

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