Stanford Root

Schedule

Stanford Root

Schedule

ITALIAN 265

Word and Image (ARTHIST 265A, ARTHIST 465A, COMPLIT 225, ITALIAN 365)

UNITS:3-5
GRADING:Letter or Credit/No Credit
LEVEL:Graduate
GER:WAY-A-II

What impact do images have on our reading of a text? How do words influence our understanding of images or our reading of pictures? What makes a visual interpretation of written words or a verbal rendering of an image successful? These questions will guide our investigation of the manifold connections between words and images in this course on intermediality and the relations and interrelations between writing and art from classical antiquity to the present. Readings and discussions will include such topics as the life and afterlife in word and image of Ovid's "Metamorphoses," Dante's "Divine Comedy," Ludovico Ariosto's "Orlando Furioso," and John Milton's "Paradise Lost;" the writings and creative production of poet-artists Michelangelo Buonarroti, William Blake, and Dante Gabriel Rossetti; innovations in and correspondences between literature and art in the modern period, from symbolism in the nineteenth century through the flourishing of European avant-garde movements in the twentieth century.

Syllabus for selected term:
View Autumn 2026 Syllabus

Sections

1 Term
Seminar 1Open
ID: 26722
0 / 14 enrolled
DAYS:Friday
TIME:1:30 PM – 4:20 PM
LOCATION:200-201
INSTRUCTOR:
Prodan, Sarah
units

ITALIAN 265: Word and Image (ARTHIST 265A, ARTHIST 465A, COMPLIT 225, ITALIAN 365)

3-5 units · Letter or Credit/No Credit · GER: WAY-A-II

What impact do images have on our reading of a text? How do words influence our understanding of images or our reading of pictures? What makes a visual interpretation of written words or a verbal rendering of an image successful? These questions will guide our investigation of the manifold connections between words and images in this course on intermediality and the relations and interrelations between writing and art from classical antiquity to the present. Readings and discussions will include such topics as the life and afterlife in word and image of Ovid's "Metamorphoses," Dante's "Divine Comedy," Ludovico Ariosto's "Orlando Furioso," and John Milton's "Paradise Lost;" the writings and creative production of poet-artists Michelangelo Buonarroti, William Blake, and Dante Gabriel Rossetti; innovations in and correspondences between literature and art in the modern period, from symbolism in the nineteenth century through the flourishing of European avant-garde movements in the twentieth century.

Offered in Autumn 2026 at Stanford University.

Autumn 2026 sections

  • Seminar — Friday 1:30 PM – 4:20 PM — 200-201 — Prodan, Sarah (Graduate)

More ITALIAN courses

  • ITALIAN 205: Songs of Love and War: Gender, Crusade, Politics (FEMGEN 205, FRENCH 205, FRENCH 305, ITALIAN 305)
  • ITALIAN 212: Film and Fascism (FILMEDIA 213A, FRENCH 213, FRENCH 313)
  • ITALIAN 217: Love, Death and the Afterlife in the Medieval West (FRENCH 217, FRENCH 317, HISTORY 217D, HISTORY 317D, ITALIAN 317)
  • ITALIAN 237: Michelangelo: Gateway to Early Modern Italy (ARTHIST 218A, ARTHIST 418A, HISTORY 237B, HISTORY 337B, ITALIAN 337)
  • ITALIAN 240: Great Minds of the Italian Renaissance and their World (ARTHIST 210, HISTORY 240C, ITALIAN 140)
  • ITALIAN 251: Writing, Memory, and the Self (FRENCH 251, FRENCH 351, ITALIAN 351)
  • ITALIAN 305: Songs of Love and War: Gender, Crusade, Politics (FEMGEN 205, FRENCH 205, FRENCH 305, ITALIAN 205)
  • ITALIAN 317: Love, Death and the Afterlife in the Medieval West (FRENCH 217, FRENCH 317, HISTORY 217D, HISTORY 317D, ITALIAN 217)
  • ITALIAN 328: Literature, Narrative, and the Self (COMPLIT 328, ENGLISH 328, FRENCH 328)
  • ITALIAN 337: Michelangelo: Gateway to Early Modern Italy (ARTHIST 218A, ARTHIST 418A, HISTORY 237B, HISTORY 337B, ITALIAN 237)
  • ITALIAN 351: Writing, Memory, and the Self (FRENCH 251, FRENCH 351, ITALIAN 251)
  • ITALIAN 365: Word and Image (ARTHIST 265A, ARTHIST 465A, COMPLIT 225, ITALIAN 265)

All ITALIAN courses · All departments