Stanford Root

Schedule

Stanford Root

Schedule

FRENCH 349

Love at First Sight: Visual Desire, Attraction, and the Pleasures of Art (ARTHIST 119, ARTHIST 319, FRENCH 149, ITALIAN 149, ITALIAN 349)

UNITS:3-5
GRADING:Letter (ABCD/NP)
LEVEL:Graduate
GER:—

Why do dating sites rely on photographs? Why do we believe that love is above all a visual force? How is pleasure, even erotic pleasure, achieved through looking? While the psychology of impressions offers some answers, this course uncovers the ways poets, songwriters, and especially artists have explored myths and promoted ideas about the coupling of love and seeing. Week by week, we will be reflecting on love as political critique, social disruption, and magical force. And we will do so by examining some of the most iconic works of art, from Dante's writings on lovesickness to Caravaggio's Narcissus, studying the ways that objects have shifted from keepsakes to targets of our cares. While exploring the visual roots and evolutions of what has become one of life's fundamental drives, this course offers a passionate survey of European art from Giotto's kiss to Fragonard's swing that elicits stimulating questions about the sensorial nature of desire and the human struggle to control emotions.

Syllabus for selected term:
View Spring 2027 Syllabus

Sections

1 Term
Lecture 1Open
ID: 28536
0 / 100 enrolled
DAYS:TBD
TIME:TBD
LOCATION:TBD
units

FRENCH 349: Love at First Sight: Visual Desire, Attraction, and the Pleasures of Art (ARTHIST 119, ARTHIST 319, FRENCH 149, ITALIAN 149, ITALIAN 349)

3-5 units · Letter (ABCD/NP)

Why do dating sites rely on photographs? Why do we believe that love is above all a visual force? How is pleasure, even erotic pleasure, achieved through looking? While the psychology of impressions offers some answers, this course uncovers the ways poets, songwriters, and especially artists have explored myths and promoted ideas about the coupling of love and seeing. Week by week, we will be reflecting on love as political critique, social disruption, and magical force. And we will do so by examining some of the most iconic works of art, from Dante's writings on lovesickness to Caravaggio's Narcissus, studying the ways that objects have shifted from keepsakes to targets of our cares. While exploring the visual roots and evolutions of what has become one of life's fundamental drives, this course offers a passionate survey of European art from Giotto's kiss to Fragonard's swing that elicits stimulating questions about the sensorial nature of desire and the human struggle to control emotions.

Offered in Spring 2027 at Stanford University.

Spring 2027 sections

  • Lecture — TBA TBA (Graduate)

More FRENCH courses

  • FRENCH 317: Love, Death and the Afterlife in the Medieval West (FRENCH 217, HISTORY 217D, HISTORY 317D, ITALIAN 217, ITALIAN 317)
  • FRENCH 319: Sex, Gender, and the Body in Renaissance France (FRENCH 219)
  • FRENCH 328: Literature, Narrative, and the Self (COMPLIT 328, ENGLISH 328, ITALIAN 328)
  • FRENCH 332B: Literature, Revolutions, and Changes in 19th- and 20th-Century France (FRENCH 132)
  • FRENCH 344: A Dazzling Spectacle: French Classical Tragedy of the Seventeenth Century (TAPS 344D)
  • FRENCH 345: Emile Zola, Serial Novelist: Reading "La Bete humaine" en feuilleton
  • FRENCH 351: Writing, Memory, and the Self (FRENCH 251, ITALIAN 251, ITALIAN 351)
  • FRENCH 369: Introduction to the Profession of Literary Studies (COMPLIT 369, DLCL 369, GERMAN 369, ILAC 369G, ITALIAN 369, SLAVIC 369G)
  • FRENCH 376: L'intimité et l'écart (FRENCH 276)
  • FRENCH 378: Stranger Things: Unnatural Narrative as Radical Philosophy (FRENCH 278)
  • FRENCH 383: Recovering Lost Voices: French and Francophone Women Writers from the Middle Ages to the Present (COMPLIT 283F, COMPLIT 383F, FEMGEN 283F, FEMGEN 383F, FRENCH 283)
  • FRENCH 387: Sex, Gender, and Violence: French and Francophone Women Writers Today (FEMGEN 287X, FEMGEN 387X, FRENCH 287)

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