Stanford Root

Schedule

Stanford Root

Schedule

FRENCH 344

A Dazzling Spectacle: French Classical Tragedy of the Seventeenth Century (TAPS 344D)

UNITS:3-5
GRADING:Letter (ABCD/NP)
LEVEL:Graduate
GER:—

The tragic genre of the seventeenth century is a collection of dazzling spectacles that blind, confound, but ultimately reveal the condition of the spectator. The audience ends up both seduced and troubled by the staging of a gripping fiction. Why does tragedy, a genre that deals with great figures and great passions in history and mythology, evoke so much emotion across the ages? This course begins with a interrogation of accepted notions such as the "classical," the "tragic," or even the "modern", before moving on to representations of key socio-political developments in the seventeenth century such as state sovereignty and women in power. We end our course with reflections on the importance of a literary corpus that has exerted a strong influence on the visual arts since its inception until the present day.

Syllabus for selected term:
View Spring 2027 Syllabus

Sections

1 Term
Seminar 1Open
ID: 26798
0 / 20 enrolled
DAYS:Thursday
TIME:3 PM – 5:50 PM
LOCATION:TBD
units

FRENCH 344: A Dazzling Spectacle: French Classical Tragedy of the Seventeenth Century (TAPS 344D)

3-5 units · Letter (ABCD/NP)

The tragic genre of the seventeenth century is a collection of dazzling spectacles that blind, confound, but ultimately reveal the condition of the spectator. The audience ends up both seduced and troubled by the staging of a gripping fiction. Why does tragedy, a genre that deals with great figures and great passions in history and mythology, evoke so much emotion across the ages? This course begins with a interrogation of accepted notions such as the "classical," the "tragic," or even the "modern", before moving on to representations of key socio-political developments in the seventeenth century such as state sovereignty and women in power. We end our course with reflections on the importance of a literary corpus that has exerted a strong influence on the visual arts since its inception until the present day.

Offered in Spring 2027 at Stanford University.

Spring 2027 sections

  • Seminar — Thursday 3:00 PM – 5:50 PM (Graduate)

More FRENCH courses

  • FRENCH 305: Songs of Love and War: Gender, Crusade, Politics (FEMGEN 205, FRENCH 205, ITALIAN 205, ITALIAN 305)
  • FRENCH 313: Film and Fascism (FILMEDIA 213A, FRENCH 213, ITALIAN 212)
  • FRENCH 317: Love, Death and the Afterlife in the Medieval West (FRENCH 217, HISTORY 217D, HISTORY 317D, ITALIAN 217, ITALIAN 317)
  • FRENCH 319: Sex, Gender, and the Body in Renaissance France (FRENCH 219)
  • FRENCH 328: Literature, Narrative, and the Self (COMPLIT 328, ENGLISH 328, ITALIAN 328)
  • FRENCH 332B: Literature, Revolutions, and Changes in 19th- and 20th-Century France (FRENCH 132)
  • FRENCH 345: Emile Zola, Serial Novelist: Reading "La Bete humaine" en feuilleton
  • FRENCH 351: Writing, Memory, and the Self (FRENCH 251, ITALIAN 251, ITALIAN 351)
  • FRENCH 369: Introduction to the Profession of Literary Studies (COMPLIT 369, DLCL 369, GERMAN 369, ILAC 369G, ITALIAN 369, SLAVIC 369G)
  • FRENCH 376: L'intimité et l'écart (FRENCH 276)
  • FRENCH 378: Stranger Things: Unnatural Narrative as Radical Philosophy (FRENCH 278)
  • FRENCH 383: Recovering Lost Voices: French and Francophone Women Writers from the Middle Ages to the Present (COMPLIT 283F, COMPLIT 383F, FEMGEN 283F, FEMGEN 383F, FRENCH 283)

All FRENCH courses · All departments