Stanford Root

Schedule

Stanford Root

Schedule

FILMEDIA 50Q

The Video Essay: Writing with Video about Media and Culture

UNITS:3
GRADING:Letter (ABCD/NP)
LEVEL:Undergrad
GER:WAY-CE

In this seminar, we explore what it means to 'write with video,' and we learn to make effective and engaging video essays. Specifically, we examine strategies for communicating through video, and we conduct hands-on exercises using digital video editing software to construct arguments, analyses, and interpretations of film, television, video games, online media, art, and culture. Compared with traditional text-based arguments, the video essay offers a remarkably direct mode of communicating critical and analytical ideas. Video essayists can simply show their viewers what they want them to see. This does not mean, however, that it is any easier than an essay composed with ink and paper. Like the written essay, the new technology introduces its own challenges and choices, including decisions about organization of space and time, audiovisual materials, onscreen text, voiceover commentary, and visual effects. By taking a hands-on approach, we develop our skills with editing software such as Adobe Premiere Pro and Apple's Final Cut Pro while also cultivating our awareness of the formal and narrative techniques employed in cinema and other moving-image media. Through weekly assignments and group critique sessions, we learn to express ourselves more effectively and creatively in audiovisual media. As a culmination of our efforts, we assemble a group exhibition of our best video essays for public display on campus.No previous experience is required, but a willingness to learn new technologies (in particular, video editing software) is important.

Syllabus for selected term:
View Autumn 2026 Syllabus

Sections

1 Term
Intro Seminar - Sophomore 1Open
ID: 25125
0 / 16 enrolled
DAYS:Tuesday
TIME:1:30 PM – 4:20 PM
LOCATION:Art Gallery 7
INSTRUCTOR:
Denson, Shane
3units

FILMEDIA 50Q: The Video Essay: Writing with Video about Media and Culture

3 units · Letter (ABCD/NP) · GER: WAY-CE

In this seminar, we explore what it means to 'write with video,' and we learn to make effective and engaging video essays. Specifically, we examine strategies for communicating through video, and we conduct hands-on exercises using digital video editing software to construct arguments, analyses, and interpretations of film, television, video games, online media, art, and culture. Compared with traditional text-based arguments, the video essay offers a remarkably direct mode of communicating critical and analytical ideas. Video essayists can simply show their viewers what they want them to see. This does not mean, however, that it is any easier than an essay composed with ink and paper. Like the written essay, the new technology introduces its own challenges and choices, including decisions about organization of space and time, audiovisual materials, onscreen text, voiceover commentary, and visual effects. By taking a hands-on approach, we develop our skills with editing software such as Adobe Premiere Pro and Apple's Final Cut Pro while also cultivating our awareness of the formal and narrative techniques employed in cinema and other moving-image media. Through weekly assignments and group critique sessions, we learn to express ourselves more effectively and creatively in audiovisual media. As a culmination of our efforts, we assemble a group exhibition of our best video essays for public display on campus.No previous experience is required, but a willingness to learn new technologies (in particular, video editing software) is important.

Offered in Autumn 2026 at Stanford University.

Autumn 2026 sections

  • Intro Seminar - Sophomore — Tuesday 1:30 PM – 4:20 PM — Art Gallery 7 — Denson, Shane (Undergrad)

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  • FILMEDIA 11Q: Art in the Metropolis (ARTSINST 11Q, ARTSTUDI 11Q, ENGLISH 11Q, MUSIC 11Q, TAPS 11Q)
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  • FILMEDIA 87N: The New Wave: How The French Reinvented Cinema (FRENCH 87N)
  • FILMEDIA 100A: History of World Cinema I: Silent Cinema and Modern Life (FILMEDIA 300A)
  • FILMEDIA 100B: History of World Cinema II: Film as Industrial Art (FILMEDIA 300B)
  • FILMEDIA 100C: History of World Cinema III: Queer Cinemas Around the World (ARTHIST 164, ARTHIST 364, CSRE 102C, CSRE 302C, FEMGEN 100C, FEMGEN 300C, FILMEDIA 300C, GLOBAL 193, GLOBAL 390, TAPS 100C, TAPS 300C)
  • FILMEDIA 101: Close Cinematic Analysis: Poetic Cinema (ARTHIST 199, ASNAMST 108, FEMGEN 104, FILMEDIA 301, TAPS 101F)
  • FILMEDIA 102: Theories of the Moving Image: The Technologically Mediated Image (FILMEDIA 302)
  • FILMEDIA 112: How French Women (Re)invented Cinema (FEMGEN 192, FRENCH 192, FRENCH 392)
  • FILMEDIA 116: From Kino-Eye to AI: The Technological Shaping of Documentary Truth (FILMEDIA 316)

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