Stanford Root

Schedule

Stanford Root

Schedule

FILMEDIA 100C

History of World Cinema III: Queer Cinemas Around the World (ARTHIST 164, ARTHIST 364, CSRE 102C, CSRE 302C, FEMGEN 100C, FEMGEN 300C, FILMEDIA 300C, GLOBAL 193, GLOBAL 390, TAPS 100C, TAPS 300C)

UNITS:3-5
GRADING:Letter (ABCD/NP)
LEVEL:Undergrad
GER:WAY-A-II

This course provides an overview of cinema from around the world since 1960, highlighting the cultural, political, and economic forces that have shaped various film movements over the last six decades. Specific topics may vary by term/year/instructor. This term's topic, Queer Cinemas around the World, engages with a range of queer cinematic forms and queer spectatorial practices in different parts of the world, as well as BIPOC media from North America. Through film and video from Kenya, Malaysia, India, The Dominican Republic, China, Brazil, Palestine, Japan, Morocco, the US etc., we will examine varied narratives about trans experience, same-sex desire, LGBTQI2S+ rights, censorship, precarity, and hopefulness. This course will attune us to regional cultural specificities in queer expression and representation, prompting us to move away from hegemonic and homogenizing understandings of queer life and media. Notes: Screenings will be held on Fridays at 1:30PM in Oshman Hall. Screening times will vary slightly from week to week.

Syllabus for selected term:
View Spring 2027 Syllabus

Sections

1 Term
Lecture 1Open
ID: 28421
0 / 70 enrolled
Meeting 1 of 2
DAYS:Tuesday, Thursday
TIME:1:30 PM – 2:50 PM
LOCATION:TBD
INSTRUCTOR:
Iyer, Usha
Meeting 2 of 2
DAYS:Friday
TIME:1:30 PM – 4:20 PM
LOCATION:TBD
INSTRUCTOR:
Iyer, Usha
units

FILMEDIA 100C: History of World Cinema III: Queer Cinemas Around the World (ARTHIST 164, ARTHIST 364, CSRE 102C, CSRE 302C, FEMGEN 100C, FEMGEN 300C, FILMEDIA 300C, GLOBAL 193, GLOBAL 390, TAPS 100C, TAPS 300C)

3-5 units · Letter (ABCD/NP) · GER: WAY-A-II

This course provides an overview of cinema from around the world since 1960, highlighting the cultural, political, and economic forces that have shaped various film movements over the last six decades. Specific topics may vary by term/year/instructor. This term's topic, Queer Cinemas around the World, engages with a range of queer cinematic forms and queer spectatorial practices in different parts of the world, as well as BIPOC media from North America. Through film and video from Kenya, Malaysia, India, The Dominican Republic, China, Brazil, Palestine, Japan, Morocco, the US etc., we will examine varied narratives about trans experience, same-sex desire, LGBTQI2S+ rights, censorship, precarity, and hopefulness. This course will attune us to regional cultural specificities in queer expression and representation, prompting us to move away from hegemonic and homogenizing understandings of queer life and media. Notes: Screenings will be held on Fridays at 1:30PM in Oshman Hall. Screening times will vary slightly from week to week.

Offered in Spring 2027 at Stanford University.

Spring 2027 sections

  • Lecture — Tuesday Thursday 1:30 PM – 2:50 PM — Iyer, Usha (Undergrad)

More FILMEDIA courses

  • FILMEDIA 11Q: Art in the Metropolis (ARTSINST 11Q, ARTSTUDI 11Q, ENGLISH 11Q, MUSIC 11Q, TAPS 11Q)
  • FILMEDIA 38: Comics: More than Words (DLCL 238, ENGLISH 1C)
  • FILMEDIA 50Q: The Video Essay: Writing with Video about Media and Culture
  • FILMEDIA 87N: The New Wave: How The French Reinvented Cinema (FRENCH 87N)
  • FILMEDIA 100A: History of World Cinema I: Silent Cinema and Modern Life (FILMEDIA 300A)
  • FILMEDIA 100B: History of World Cinema II: Film as Industrial Art (FILMEDIA 300B)
  • FILMEDIA 101: Close Cinematic Analysis: Poetic Cinema (ARTHIST 199, ASNAMST 108, FEMGEN 104, FILMEDIA 301, TAPS 101F)
  • FILMEDIA 102: Theories of the Moving Image: The Technologically Mediated Image (FILMEDIA 302)
  • FILMEDIA 112: How French Women (Re)invented Cinema (FEMGEN 192, FRENCH 192, FRENCH 392)
  • FILMEDIA 116: From Kino-Eye to AI: The Technological Shaping of Documentary Truth (FILMEDIA 316)
  • FILMEDIA 131A: Introduction to Queer Theory (CSRE 131A, FEMGEN 131)
  • FILMEDIA 135: Around the World in Ten Films (FILMEDIA 335, GLOBAL 135)

All FILMEDIA courses · All departments