Stanford Root

Schedule

Stanford Root

Schedule

FILMEDIA 335

Around the World in Ten Films (FILMEDIA 135, GLOBAL 135)

UNITS:3-4
GRADING:Letter (ABCD/NP)
LEVEL:Graduate
GER:—

This is an introductory-level course about the cinema as a global language. We will undertake a comparative study of select historical and contemporary aspects of international cinema, and explore a range of themes pertaining to the social, cultural, and political diversity of the world. A cross-regional thematic emphasis and inter-textual methods of narrative and aesthetic analysis, will ground our discussion of films from Italy, Japan, United States, India, China, France, Brazil, Nigeria, Russia, Iran, Mexico, and a number of other countries. Particular emphasis will be placed on the multi-cultural character and the regional specificities of the cinema as a "universal language" and an inclusive "relational network."There are no prerequisites for this class. It is open to all students; non-majors welcome.

Syllabus not available for this section

Sections

0 Terms
No sections available.

FILMEDIA 335: Around the World in Ten Films (FILMEDIA 135, GLOBAL 135)

3-4 units · Letter (ABCD/NP)

This is an introductory-level course about the cinema as a global language. We will undertake a comparative study of select historical and contemporary aspects of international cinema, and explore a range of themes pertaining to the social, cultural, and political diversity of the world. A cross-regional thematic emphasis and inter-textual methods of narrative and aesthetic analysis, will ground our discussion of films from Italy, Japan, United States, India, China, France, Brazil, Nigeria, Russia, Iran, Mexico, and a number of other countries. Particular emphasis will be placed on the multi-cultural character and the regional specificities of the cinema as a "universal language" and an inclusive "relational network."There are no prerequisites for this class. It is open to all students; non-majors welcome.

More FILMEDIA courses

  • FILMEDIA 300A: History of World Cinema I: Silent Cinema and Modern Life (FILMEDIA 100A)
  • FILMEDIA 300C: History of World Cinema III: Queer Cinemas Around the World (ARTHIST 164, ARTHIST 364, CSRE 102C, CSRE 302C, FEMGEN 100C, FEMGEN 300C, FILMEDIA 100C, GLOBAL 193, GLOBAL 390, TAPS 100C, TAPS 300C)
  • FILMEDIA 301: Close Cinematic Analysis: Poetic Cinema (ARTHIST 199, ASNAMST 108, FEMGEN 104, FILMEDIA 101, TAPS 101F)
  • FILMEDIA 302: Theories of the Moving Image: The Technologically Mediated Image (FILMEDIA 102)
  • FILMEDIA 306: Media and Mediums (FILMEDIA 6)
  • FILMEDIA 316: From Kino-Eye to AI: The Technological Shaping of Documentary Truth (FILMEDIA 116)
  • FILMEDIA 367: The Hollywood Musical (FILMEDIA 167)
  • FILMEDIA 392: AI Art & Aesthetics (ARTSTUDI 192, ARTSTUDI 392, FILMEDIA 192, TAPS 192A)
  • FILMEDIA 410: Documentary Perspectives I (FILMEDIA 210)
  • FILMEDIA 412A: Lights, Cinema, and the Writer's Pencil! Vladimir Nabokov and Cinema (SLAVIC 212)
  • FILMEDIA 424: Films of Stanley Kubrick (FILMEDIA 224)
  • FILMEDIA 426: The Films of Richard Linklater (FILMEDIA 226)

All FILMEDIA courses · All departments