Stanford Root

Schedule

Stanford Root

Schedule

FILMEDIA 300C

History of World Cinema III: Queer Cinemas Around the World (ARTHIST 164, ARTHIST 364, CSRE 102C, CSRE 302C, FEMGEN 100C, FEMGEN 300C, FILMEDIA 100C, GLOBAL 193, GLOBAL 390, TAPS 100C, TAPS 300C)

UNITS:3-5
GRADING:Letter (ABCD/NP)
LEVEL:Graduate
GER:—

This course provides an overview of cinema from around the world since 1960, highlighting the cultural, political, and economic forces that have shaped various film movements over the last six decades. Specific topics may vary by term/year/instructor. This term's topic, Queer Cinemas around the World, engages with a range of queer cinematic forms and queer spectatorial practices in different parts of the world, as well as BIPOC media from North America. Through film and video from Kenya, Malaysia, India, The Dominican Republic, China, Brazil, Palestine, Japan, Morocco, the US etc., we will examine varied narratives about trans experience, same-sex desire, LGBTQI2S+ rights, censorship, precarity, and hopefulness. This course will attune us to regional cultural specificities in queer expression and representation, prompting us to move away from hegemonic and homogenizing understandings of queer life and media. Notes: Screenings will be held on Fridays at 1:30PM in Oshman Hall. Screening times will vary slightly from week to week.

Syllabus for selected term:
View Spring 2027 Syllabus

Sections

1 Term
Lecture 1Open
ID: 28418
0 / 350 enrolled
Meeting 1 of 2
DAYS:Tuesday, Thursday
TIME:1:30 PM – 2:50 PM
LOCATION:TBD
INSTRUCTOR:
Iyer, Usha
Meeting 2 of 2
DAYS:Friday
TIME:1:30 PM – 4:20 PM
LOCATION:TBD
INSTRUCTOR:
Iyer, Usha
units

FILMEDIA 300C: History of World Cinema III: Queer Cinemas Around the World (ARTHIST 164, ARTHIST 364, CSRE 102C, CSRE 302C, FEMGEN 100C, FEMGEN 300C, FILMEDIA 100C, GLOBAL 193, GLOBAL 390, TAPS 100C, TAPS 300C)

3-5 units · Letter (ABCD/NP)

This course provides an overview of cinema from around the world since 1960, highlighting the cultural, political, and economic forces that have shaped various film movements over the last six decades. Specific topics may vary by term/year/instructor. This term's topic, Queer Cinemas around the World, engages with a range of queer cinematic forms and queer spectatorial practices in different parts of the world, as well as BIPOC media from North America. Through film and video from Kenya, Malaysia, India, The Dominican Republic, China, Brazil, Palestine, Japan, Morocco, the US etc., we will examine varied narratives about trans experience, same-sex desire, LGBTQI2S+ rights, censorship, precarity, and hopefulness. This course will attune us to regional cultural specificities in queer expression and representation, prompting us to move away from hegemonic and homogenizing understandings of queer life and media. Notes: Screenings will be held on Fridays at 1:30PM in Oshman Hall. Screening times will vary slightly from week to week.

Offered in Spring 2027 at Stanford University.

Spring 2027 sections

  • Lecture — Tuesday Thursday 1:30 PM – 2:50 PM — Iyer, Usha (Graduate)

More FILMEDIA courses

  • FILMEDIA 275: The Russian and Soviet Avant-Garde (ARTHIST 275, ARTHIST 475A, FILMEDIA 475, REES 275A)
  • FILMEDIA 290: Movies and Methods: The Films of Howard Hawks (FILMEDIA 490)
  • FILMEDIA 295: Films & Media Studies Internship
  • FILMEDIA 297: Honors Thesis Writing
  • FILMEDIA 299: Independent Study: Film and Media Studies
  • FILMEDIA 300A: History of World Cinema I: Silent Cinema and Modern Life (FILMEDIA 100A)
  • FILMEDIA 301: Close Cinematic Analysis: Poetic Cinema (ARTHIST 199, ASNAMST 108, FEMGEN 104, FILMEDIA 101, TAPS 101F)
  • FILMEDIA 302: Theories of the Moving Image: The Technologically Mediated Image (FILMEDIA 102)
  • FILMEDIA 306: Media and Mediums (FILMEDIA 6)
  • FILMEDIA 316: From Kino-Eye to AI: The Technological Shaping of Documentary Truth (FILMEDIA 116)
  • FILMEDIA 335: Around the World in Ten Films (FILMEDIA 135, GLOBAL 135)
  • FILMEDIA 367: The Hollywood Musical (FILMEDIA 167)

All FILMEDIA courses · All departments