Stanford Root

Schedule

Stanford Root

Schedule

FEMGEN 300C

History of World Cinema III: Queer Cinemas Around the World (ARTHIST 164, ARTHIST 364, CSRE 102C, CSRE 302C, FEMGEN 100C, FILMEDIA 100C, FILMEDIA 300C, GLOBAL 193, GLOBAL 390, TAPS 100C, TAPS 300C)

UNITS:3-5
GRADING:Letter (ABCD/NP)
LEVEL:Graduate
GER:—

This course provides an overview of cinema from around the world since 1960, highlighting the cultural, political, and economic forces that have shaped various film movements over the last six decades. Specific topics may vary by term/year/instructor. This term's topic, Queer Cinemas around the World, engages with a range of queer cinematic forms and queer spectatorial practices in different parts of the world, as well as BIPOC media from North America. Through film and video from Kenya, Malaysia, India, The Dominican Republic, China, Brazil, Palestine, Japan, Morocco, the US etc., we will examine varied narratives about trans experience, same-sex desire, LGBTQI2S+ rights, censorship, precarity, and hopefulness. This course will attune us to regional cultural specificities in queer expression and representation, prompting us to move away from hegemonic and homogenizing understandings of queer life and media. Notes: Screenings will be held on Fridays at 1:30PM in Oshman Hall. Screening times will vary slightly from week to week.

Syllabus for selected term:
View Spring 2027 Syllabus

Sections

1 Term
Lecture 1Open
ID: 28511
0 / 70 enrolled
DAYS:TBD
TIME:TBD
LOCATION:TBD
units

FEMGEN 300C: History of World Cinema III: Queer Cinemas Around the World (ARTHIST 164, ARTHIST 364, CSRE 102C, CSRE 302C, FEMGEN 100C, FILMEDIA 100C, FILMEDIA 300C, GLOBAL 193, GLOBAL 390, TAPS 100C, TAPS 300C)

3-5 units · Letter (ABCD/NP)

This course provides an overview of cinema from around the world since 1960, highlighting the cultural, political, and economic forces that have shaped various film movements over the last six decades. Specific topics may vary by term/year/instructor. This term's topic, Queer Cinemas around the World, engages with a range of queer cinematic forms and queer spectatorial practices in different parts of the world, as well as BIPOC media from North America. Through film and video from Kenya, Malaysia, India, The Dominican Republic, China, Brazil, Palestine, Japan, Morocco, the US etc., we will examine varied narratives about trans experience, same-sex desire, LGBTQI2S+ rights, censorship, precarity, and hopefulness. This course will attune us to regional cultural specificities in queer expression and representation, prompting us to move away from hegemonic and homogenizing understandings of queer life and media. Notes: Screenings will be held on Fridays at 1:30PM in Oshman Hall. Screening times will vary slightly from week to week.

Offered in Spring 2027 at Stanford University.

Spring 2027 sections

  • Lecture — TBA TBA (Graduate)

More FEMGEN courses

  • FEMGEN 265: Comparative Methodologies in Black Sexuality, Queer, and Transgender Studies
  • FEMGEN 278A: Women Writing War (COMPLIT 278, GERMAN 278)
  • FEMGEN 283F: Recovering Lost Voices: French and Francophone Women Writers from the Middle Ages to the Present (COMPLIT 283F, COMPLIT 383F, FEMGEN 383F, FRENCH 283, FRENCH 383)
  • FEMGEN 287X: Sex, Gender, and Violence: French and Francophone Women Writers Today (FEMGEN 387X, FRENCH 287, FRENCH 387)
  • FEMGEN 292B: Contemporary Black Feminist Paths (AFRICAAM 292, ENGLISH 292B)
  • FEMGEN 299: Graduate Workshop: Feminist, Gender, and Sexuality Studies
  • FEMGEN 300J: Methods for Studying Gender and Sexuality in Music (MUSIC 300J)
  • FEMGEN 302: Global Feminisms (FEMGEN 202)
  • FEMGEN 303A: Feminist and Sexuality Studies Theories Across the Disciplines Graduate Seminar
  • FEMGEN 308: Women of the Movement (AFRICAAM 208, AMSTUD 208, FEMGEN 208, HISTORY 268, HISTORY 368, RELIGST 208, RELIGST 308)
  • FEMGEN 312F: Pitching and Publishing in Popular Media (DLCL 312, ENGLISH 318)
  • FEMGEN 313: Performance and Performativity (ARTHIST 313, ENGLISH 313, TAPS 313)

All FEMGEN courses · All departments