Stanford Root

Schedule

Stanford Root

Schedule

TAPS 335T

Queer Theory: Literature, Performance, and Art (ENGLISH 335B, FEMGEN 335)

UNITS:4
GRADING:Letter (ABCD/NP)
LEVEL:Graduate
GER:—

This is an interdisciplinary course introducing the primary contributions to the field of queer theory in the humanities. These readings will begin with Eve Sedgwick's work and responses to it from Heather Love, Jane Gallop, Jose Munoz, and Lauren Berlant. Then we will look at the work of Judith Butler and its impact on Performance Studies; readings here will include work by Phelan, Hart, and Halberstam. We will also consider queer theory's influence in Art History by reading texts by Norman Bryson, Jonathan Katz, Judith Bryan Wilson, and Richard Meyer (among others). We will also reflect on the critical discussion of why queer theory "failed." Readings will be by David Halperin and will also include President Trump's executive order mandating that the United States recognizes only two gender categories. In addition to reading and participating in all seminar meetings, students will be asked to give one short presentation of TAPS 20 minutes AND to serve as a respondent to the work of another student (TAPS 10 minutes). These responses will serve to give students an opportunity to begin the difficult work of thinking across different fields. Final essays (TAPS 15-TAPS 20 pages) will engage with the material on the syllabus but they can be shaped in a way that best serves your overall interests and concerns.

Syllabus for selected term:
View Autumn 2026 Syllabus

Sections

1 Term
Seminar 1Open
ID: 27904
0 / 8 enrolled
DAYS:Monday
TIME:1:30 PM – 4:20 PM
LOCATION:Roble Gymnasium 139
INSTRUCTOR:
Phelan, Peggy
4units

TAPS 335T: Queer Theory: Literature, Performance, and Art (ENGLISH 335B, FEMGEN 335)

4 units · Letter (ABCD/NP)

This is an interdisciplinary course introducing the primary contributions to the field of queer theory in the humanities. These readings will begin with Eve Sedgwick's work and responses to it from Heather Love, Jane Gallop, Jose Munoz, and Lauren Berlant. Then we will look at the work of Judith Butler and its impact on Performance Studies; readings here will include work by Phelan, Hart, and Halberstam. We will also consider queer theory's influence in Art History by reading texts by Norman Bryson, Jonathan Katz, Judith Bryan Wilson, and Richard Meyer (among others). We will also reflect on the critical discussion of why queer theory "failed." Readings will be by David Halperin and will also include President Trump's executive order mandating that the United States recognizes only two gender categories. In addition to reading and participating in all seminar meetings, students will be asked to give one short presentation of 20 minutes AND to serve as a respondent to the work of another student (10 minutes). These responses will serve to give students an opportunity to begin the difficult work of thinking across different fields. Final essays (15-20 pages) will engage with the material on the syllabus but they can be shaped in a way that best serves your overall interests and concerns.

Offered in Autumn 2026 at Stanford University.

Autumn 2026 sections

  • Seminar — Monday 1:30 PM – 4:20 PM — Roble Gymnasium 139 — Phelan, Peggy (Graduate)

More TAPS courses

  • TAPS 314: Performing Identities (FEMGEN 314)
  • TAPS 321: Proseminar
  • TAPS 323: Advanced Performance Theory and Dance Studies
  • TAPS 334: Introduction to Queer Theory for Graduate Studies Research (FEMGEN 334)
  • TAPS 334R: Robots and Arts: Creative Applications and Projects (CS 334)
  • TAPS 335: Introduction to Graduate Production
  • TAPS 344D: A Dazzling Spectacle: French Classical Tragedy of the Seventeenth Century (FRENCH 344)
  • TAPS 346: German Theater from Schiller to Brecht (GERMAN 246, GERMAN 346, TAPS 246)
  • TAPS 354P: Performing Leadership and Leadership as Performance (TAPS 154P)
  • TAPS 356S: Protest Performance: Strategies and Practices, 2010-2020
  • TAPS 358W: Black Theater and its Relevance: The Plays of August Wilson and Lorraine Hansberry (AFRICAAM 158C, AMSTUD 158C, TAPS 158W)
  • TAPS 371P: Theater and Performance Making (TAPS 101P)

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