Stanford Root

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Stanford Root

Schedule

FILMEDIA 248

Outcasts, Superheroes, and Rebels: Identity and Social Justice in Latin(x) American Cinema (CHILATST 248, CSRE 250, ILAC 248)

UNITS:3
GRADING:Letter or Credit/No Credit
LEVEL:Graduate
GER:—

In a deeply polarized world, identity has often been at the center of conflict - whether wars among nations, imposition of colonial violence, repression of different marginalized groups, and human rights violations, among other forms of inequality and oppression. Cinema, as a popular form of entertainment, has represented identity in myriad ways. How have race, gender, class, and other intersecting markers of identity and marginalization been constructed on screen in Latin America and its diaspora? And how have these representations (frequently converging around the figures of outcasts, superheroes, and rebels) advocated for social justice, liberation, and belonging? These are the central questions that will guide the course's exploration of popular film within Latin American cultures as students develop a portable methodology to "read" and analyze moving images in different sociohistorical contexts. Sources may include the films Bacurau, El secreto de sus ojos, Blue Beetle, and Real Women Have Curves as well as performances of stars such as Jennifer Lopez and Gael García Bernal.

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FILMEDIA 248: Outcasts, Superheroes, and Rebels: Identity and Social Justice in Latin(x) American Cinema (CHILATST 248, CSRE 250, ILAC 248)

3 units · Letter or Credit/No Credit

In a deeply polarized world, identity has often been at the center of conflict - whether wars among nations, imposition of colonial violence, repression of different marginalized groups, and human rights violations, among other forms of inequality and oppression. Cinema, as a popular form of entertainment, has represented identity in myriad ways. How have race, gender, class, and other intersecting markers of identity and marginalization been constructed on screen in Latin America and its diaspora? And how have these representations (frequently converging around the figures of outcasts, superheroes, and rebels) advocated for social justice, liberation, and belonging? These are the central questions that will guide the course's exploration of popular film within Latin American cultures as students develop a portable methodology to "read" and analyze moving images in different sociohistorical contexts. Sources may include the films Bacurau, El secreto de sus ojos, Blue Beetle, and Real Women Have Curves as well as performances of stars such as Jennifer Lopez and Gael García Bernal.

More FILMEDIA courses

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  • FILMEDIA 210: Documentary Perspectives I (FILMEDIA 410)
  • FILMEDIA 213A: Film and Fascism (FRENCH 213, FRENCH 313, ITALIAN 212)
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  • FILMEDIA 264B: Starstuff: Space and the American Imagination (AMSTUD 143X, ARTHIST 264B)
  • FILMEDIA 275: The Russian and Soviet Avant-Garde (ARTHIST 275, ARTHIST 475A, FILMEDIA 475, REES 275A)
  • FILMEDIA 290: Movies and Methods: The Films of Howard Hawks (FILMEDIA 490)
  • FILMEDIA 295: Films & Media Studies Internship
  • FILMEDIA 297: Honors Thesis Writing
  • FILMEDIA 299: Independent Study: Film and Media Studies

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