Stanford Root

Schedule

Stanford Root

Schedule

ENGLISH 332B

Ancients, Moderns, and Postmoderns

UNITS:5
GRADING:Letter or Credit/No Credit
LEVEL:Graduate
GER:—

Many literary critics and art historians depend on stylized accounts of modernity, post-modernity, and antiquity. We will ask what purpose such accounts serve, what historical conditions have given rise to them, and what dangers they may pose to critics today. The primary purpose of this course is to equip graduate students to read critical arguments that turn on historical claims with greater sophistication and, just as important, to reflect on their own historical assumptions and methods. A secondary purpose is to prepare students to write arguments that will speak not just to colleagues in their narrow historical period but to colleagues who work on periods remote from theirs. One of the keys to succeeding as a critic is learning how to talk across period divisions. In their final essays, students should feel free to write about any work of literature, art object, or historical event, provided they in some way employ or resist a historicist interpretation. Essays on any of the theorists on the syllabus are also welcome.

Syllabus for selected term:
View Winter 2027 Syllabus

Sections

1 Term
Seminar 1Open
ID: 26921
0 / 15 enrolled
DAYS:Thursday
TIME:4:30 PM – 7:20 PM
LOCATION:TBD
INSTRUCTOR:
Hoxby, Blair
5units

ENGLISH 332B: Ancients, Moderns, and Postmoderns

5 units · Letter or Credit/No Credit

Many literary critics and art historians depend on stylized accounts of modernity, post-modernity, and antiquity. We will ask what purpose such accounts serve, what historical conditions have given rise to them, and what dangers they may pose to critics today. The primary purpose of this course is to equip graduate students to read critical arguments that turn on historical claims with greater sophistication and, just as important, to reflect on their own historical assumptions and methods. A secondary purpose is to prepare students to write arguments that will speak not just to colleagues in their narrow historical period but to colleagues who work on periods remote from theirs. One of the keys to succeeding as a critic is learning how to talk across period divisions. In their final essays, students should feel free to write about any work of literature, art object, or historical event, provided they in some way employ or resist a historicist interpretation. Essays on any of the theorists on the syllabus are also welcome.

Offered in Winter 2027 at Stanford University.

Winter 2027 sections

  • Seminar — Thursday 4:30 PM – 7:20 PM — Hoxby, Blair (Graduate)

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  • ENGLISH 329: Description Before the Novel
  • ENGLISH 330: The Mental Traveler: Allegory, Symbol, Diagram from Dante to Blake
  • ENGLISH 332: Dark Aesthetics: The Decolonial Possibilities of Multifocal Novels
  • ENGLISH 335: Bilingual Loyalties
  • ENGLISH 335B: Queer Theory: Literature, Performance, and Art (FEMGEN 335, TAPS 335T)
  • ENGLISH 336: The Literature of Exile (JEWISHST 336)
  • ENGLISH 337: Style in the Age of AI
  • ENGLISH 339: Anguish and Desire in Premodern British Literature
  • ENGLISH 344: Premodern Aesthetics

All ENGLISH courses · All departments