Stanford Root

Schedule

Stanford Root

Schedule

CSRE 173

Still Waters Run Deep, Troubling The Archive with filmmaking and photography (AFRICAAM 173)

UNITS:3-4
GRADING:Letter or Credit/No Credit
LEVEL:Undergrad
GER:—

Using lens-based filmmaking and photography as a form of storytelling, students will create individual projects that explore their own family, community, environmental histories, and narratives. How has your identities or historical context been flattened, simplified, or erased? How have they been shaped, transformed, and uplifted? How has your relationship to the land affected your current social, political, or environmental circumstances? What tools can we employ as creatives to re-dress the past and rebuild new relationships to self and community? We will watch works by artists of color and read essays by Saidiya Hartman, Alice Walker, and Fred Moten. We will explore how our narratives challenge knowledge production while connecting past to present. Students will identify an archive to use as source material for a personal project. They will use filmmaking and or photography to intervene in or trouble that archive. No experience required. This course is presented by the Institute for Diversity in the Arts (IDA)

Syllabus for selected term:
View Winter 2027 Syllabus

Sections

1 Term
Lecture 1Open
ID: 26423
0 / 999 enrolled
DAYS:TBD
TIME:TBD
LOCATION:TBD
units

CSRE 173: Still Waters Run Deep, Troubling The Archive with filmmaking and photography (AFRICAAM 173)

3-4 units · Letter or Credit/No Credit

Using lens-based filmmaking and photography as a form of storytelling, students will create individual projects that explore their own family, community, environmental histories, and narratives. How has your identities or historical context been flattened, simplified, or erased? How have they been shaped, transformed, and uplifted? How has your relationship to the land affected your current social, political, or environmental circumstances? What tools can we employ as creatives to re-dress the past and rebuild new relationships to self and community? We will watch works by artists of color and read essays by Saidiya Hartman, Alice Walker, and Fred Moten. We will explore how our narratives challenge knowledge production while connecting past to present. Students will identify an archive to use as source material for a personal project. They will use filmmaking and or photography to intervene in or trouble that archive. No experience required. This course is presented by the Institute for Diversity in the Arts (IDA)

Offered in Winter 2027 at Stanford University.

Winter 2027 sections

  • Lecture — TBA TBA (Undergrad)

More CSRE courses

  • CSRE 164: Solidarity - Histories, Literatures, Rationales (COMPLIT 164, COMPLIT 364)
  • CSRE 165A: Introduction to Global Black Diaspora Studies II (AFRICAAM 264, COMPLIT 264, FRENCH 264E, HISTORY 246E)
  • CSRE 166: African Archive Beyond Colonization (AFRICAAM 187, ARCHLGY 166, CLASSICS 186, CLASSICS 286)
  • CSRE 168: Race, Nature, and the City (EARTHSYS 169, SOC 168A, URBANST 168)
  • CSRE 169: Body and Environment (ANTHRO 167)
  • CSRE 170: Black, White, Jewish: The Racial Politics of Jewishness (AFRICAAM 170C, AMSTUD 170C, JEWISHST 170)
  • CSRE 174: History of South Africa (AFRICAAM 147, HISTORY 147)
  • CSRE 175: Bodies and Persons: Anthropological Perspective (ANTHRO 173, SOC 171)
  • CSRE 179A: Crime and Punishment in America (AFRICAAM 179A, AMSTUD 179A, SOC 179A, SOC 279A)
  • CSRE 181: Diversity and Equity Issues in Higher Education (EDUC 181, EDUC 381)
  • CSRE 184: Racialized Identity & Embodiment in the Caribbean (AFRICAAM 184)
  • CSRE 184B: Mad Fiction: Literature of Mental Illness (ENGLISH 185B, FEMGEN 185B)

All CSRE courses · All departments