Stanford Root

Schedule

Stanford Root

Schedule

ARTHIST 319

Love at First Sight: Visual Desire, Attraction, and the Pleasures of Art (ARTHIST 119, FRENCH 149, FRENCH 349, ITALIAN 149, ITALIAN 349)

UNITS:3-5
GRADING:Letter (ABCD/NP)
LEVEL:Graduate
GER:—

Why do dating sites rely on photographs? Why do we believe that love is above all a visual force? How is pleasure, even erotic pleasure, achieved through looking? While the psychology of impressions offers some answers, this course uncovers the ways poets, songwriters, and especially artists have explored myths and promoted ideas about the coupling of love and seeing. Week by week, we will be reflecting on love as political critique, social disruption, and magical force. And we will do so by examining some of the most iconic works of art, from Dante's writings on lovesickness to Caravaggio's Narcissus, studying the ways that objects have shifted from keepsakes to targets of our cares. While exploring the visual roots and evolutions of what has become one of life's fundamental drives, this course offers a passionate survey of European art from Giotto's kiss to Fragonard's swing that elicits stimulating questions about the sensorial nature of desire and the human struggle to control emotions.

Syllabus for selected term:
View Spring 2027 Syllabus

Sections

1 Term
Lecture 1Open
ID: 28443
0 / 100 enrolled
DAYS:Tuesday, Thursday
TIME:3 PM – 4:20 PM
LOCATION:TBD
INSTRUCTOR:
Lugli, Emanuele
units

ARTHIST 319: Love at First Sight: Visual Desire, Attraction, and the Pleasures of Art (ARTHIST 119, FRENCH 149, FRENCH 349, ITALIAN 149, ITALIAN 349)

3-5 units · Letter (ABCD/NP)

Why do dating sites rely on photographs? Why do we believe that love is above all a visual force? How is pleasure, even erotic pleasure, achieved through looking? While the psychology of impressions offers some answers, this course uncovers the ways poets, songwriters, and especially artists have explored myths and promoted ideas about the coupling of love and seeing. Week by week, we will be reflecting on love as political critique, social disruption, and magical force. And we will do so by examining some of the most iconic works of art, from Dante's writings on lovesickness to Caravaggio's Narcissus, studying the ways that objects have shifted from keepsakes to targets of our cares. While exploring the visual roots and evolutions of what has become one of life's fundamental drives, this course offers a passionate survey of European art from Giotto's kiss to Fragonard's swing that elicits stimulating questions about the sensorial nature of desire and the human struggle to control emotions.

Offered in Spring 2027 at Stanford University.

Spring 2027 sections

  • Lecture — Tuesday Thursday 3:00 PM – 4:20 PM — Lugli, Emanuele (Graduate)

More ARTHIST courses

  • ARTHIST 295: Visual Arts Internship
  • ARTHIST 296: Junior Seminar: Methods & Historiography of Art History
  • ARTHIST 297: Honors Thesis Writing
  • ARTHIST 298: Individual Work: Art History
  • ARTHIST 306: Byzantine Art and Architecture, 300-1453 C.E. (ARTHIST 106, CLASSICS 171)
  • ARTHIST 313: Performance and Performativity (ENGLISH 313, FEMGEN 313, TAPS 313)
  • ARTHIST 328: Modern Africa: Art and Decolonization (AFRICAAM 128C, ARTHIST 128)
  • ARTHIST 329: Fashion (ARTHIST 129)
  • ARTHIST 333: Introduction to Global Modern Art (ARTHIST 133)
  • ARTHIST 339: East Asian Buddhist Painting: Visions and Practices (ARTHIST 139, CHINA 139, CHINA 339, EASTASN 339A)
  • ARTHIST 363: Queer America: Art, Photography, and Politics (AMSTUD 163A, AMSTUD 363, ARTHIST 163, FEMGEN 163, FEMGEN 363)
  • ARTHIST 364: History of World Cinema III: Queer Cinemas Around the World (ARTHIST 164, CSRE 102C, CSRE 302C, FEMGEN 100C, FEMGEN 300C, FILMEDIA 100C, FILMEDIA 300C, GLOBAL 193, GLOBAL 390, TAPS 100C, TAPS 300C)

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