Stanford Root

Schedule

Stanford Root

Schedule

AFRICAAM 173

Still Waters Run Deep, Troubling The Archive with filmmaking and photography (CSRE 173)

UNITS:3-4
GRADING:Letter or Credit/No Credit
LEVEL:Undergrad
GER:—

Using lens-based filmmaking and photography as a form of storytelling, students will create individual projects that explore their own family, community, environmental histories, and narratives. How has your identities or historical context been flattened, simplified, or erased? How have they been shaped, transformed, and uplifted? How has your relationship to the land affected your current social, political, or environmental circumstances? What tools can we employ as creatives to re-dress the past and rebuild new relationships to self and community? We will watch works by artists of color and read essays by Saidiya Hartman, Alice Walker, and Fred Moten. We will explore how our narratives challenge knowledge production while connecting past to present. Students will identify an archive to use as source material for a personal project. They will use filmmaking and or photography to intervene in or trouble that archive. No experience required. This course is presented by the Institute for Diversity in the Arts (IDA)

Syllabus for selected term:
View Winter 2027 Syllabus

Sections

1 Term
Lecture 1Open
ID: 26424
0 / 999 enrolled
DAYS:TBD
TIME:TBD
LOCATION:TBD
units

AFRICAAM 173: Still Waters Run Deep, Troubling The Archive with filmmaking and photography (CSRE 173)

3-4 units · Letter or Credit/No Credit

Using lens-based filmmaking and photography as a form of storytelling, students will create individual projects that explore their own family, community, environmental histories, and narratives. How has your identities or historical context been flattened, simplified, or erased? How have they been shaped, transformed, and uplifted? How has your relationship to the land affected your current social, political, or environmental circumstances? What tools can we employ as creatives to re-dress the past and rebuild new relationships to self and community? We will watch works by artists of color and read essays by Saidiya Hartman, Alice Walker, and Fred Moten. We will explore how our narratives challenge knowledge production while connecting past to present. Students will identify an archive to use as source material for a personal project. They will use filmmaking and or photography to intervene in or trouble that archive. No experience required. This course is presented by the Institute for Diversity in the Arts (IDA)

Offered in Winter 2027 at Stanford University.

Winter 2027 sections

  • Lecture — TBA TBA (Undergrad)

More AFRICAAM courses

  • AFRICAAM 161E: Stanford Afro-Latin Jazz Orchestra (MUSIC 161E)
  • AFRICAAM 162: Black Lens/Black Lines: Cinematic Movement (ENGLISH 162B)
  • AFRICAAM 162C: "Do The Right Thing" - Writing About the Films of Spike Lee (ENGLISH 162S)
  • AFRICAAM 167: Animated By Origins: Africa and The Americas (ARTSTUDI 167M)
  • AFRICAAM 170C: Black, White, Jewish: The Racial Politics of Jewishness (AMSTUD 170C, CSRE 170, JEWISHST 170)
  • AFRICAAM 171: Peering into darkness: critical research practices in contemporary art & astrophysics (CSRE 171)
  • AFRICAAM 176: Introduction to Themes in Black Studies I
  • AFRICAAM 179: The Beautiful Game is African: An African History of Soccer
  • AFRICAAM 179A: Crime and Punishment in America (AMSTUD 179A, CSRE 179A, SOC 179A, SOC 279A)
  • AFRICAAM 180: Black Arts in Theory and Practice
  • AFRICAAM 180D: Designing Black Experiences (ENGR 180)
  • AFRICAAM 184: Racialized Identity & Embodiment in the Caribbean (CSRE 184)

All AFRICAAM courses · All departments